It originated in London in and expanded its size and reputation through both acquisition and organic growth. Today its products include porcelain, collectibles, dinnerware, glassware, giftware, jewelery, linens and more. Doulton Home is now part of the Waterford Wedgwood group and most of the current production for these three brands is performed outside of the United Kingdom, in the Far East and Indonesia. John Doulton, born in Fulham in , learned his trade at the Fulham Manufacturing Company, well known as one of the first English commercial producers of stoneware, founded by master potter John Dwight in John Doulton completed his apprenticeship, earning a reputation as one of the best pot throwers in London. The factory specialized in producing utilitarian salt glazed stoneware, similar to the Fulham factory. In Henry Doulton, the second son of John, joined the firm, at the age of
List of Royal Doulton figurines
The Royal Doulton story began in , the year of Waterloo. It was then that John Doulton invested his life savings of pounds to become a partner in one of the many small Thames-side potteries of the day at Lambeth, South London. The pottery produced utilitarian items in stoneware such as candlesticks, spirit flasks, and bottles for the many local factories. Driven by his dedication and personal ambition, he quickly acquired a full knowledge of all aspects of the pottery trade.
In , he established at Lambeth the first factory in the world for the production of stoneware drainpipes, conduits and related wares.
A pair of Royal Doulton stoneware bottle vases, A pair of Royal Doulton stoneware bottle vases with applied decoration, impressed marks to base, 27 cm high, together with three miniature Doulton harvest jugs and an early 19th century Spode plate with handpainted floral decoration.
Within ten years he had enlarged the factory three times, built a china works, taken on the largest and most gifted group of artists in the Potteries, and developed for Doulton a reputation for craftsmanship and artistry still identified with Royal Doulton today. There follows a selection of the backstamps most commonly used on Doulton Burslem wares, and some further hints on dating. The information is taken by permission from “The Doulton Burslem Wares” by Desmond Eyles, a compulsory work of reference for any collector of Doulton wares see back page.
The reference numbers for the Doulton Burslem marks have been prefixed by the letter ‘B’ to distinguish them from those also numbered 1 and up in the list of Lambeth marks given in The Doulton Lambeth Wares. Several of these were adopted after by Doulton and remained in use for about twenty years. The following are two typical examples found on the patterns Rouen and Kew. Various other pattern names will be found. The coronet on B.
The mark continued in use until
Moorcroft pottery dating
The liquor or liqueur should be a brandy or proof. Anything with a higher proof is very volatile and simply put too flammable. It’s generally suggested that you choose something that compliments what you are cooking.
Royal Doulton Tableware Limited grew to represent approximately one-third of the entire British tableware industry. Also during the period of ownership by Pearson, Royal Doulton management focused on achieving a greater degree of efficiency at its facilities. Doulton’s Rouge Flambe veined sung is high glazed, strong colored wares noted for.
Your guide to antique pottery marks, porcelain marks and china marks Charles Noke Charles Noke was Royal Doultons premier designer and modeller. In the Doulton studio recruited a young designer by the name of Charles Noke. He is now regarded as the brainchild behind Royal Doulton seriesware , a range of products were standard blank pottery shapes everything from plates to jugs, bowls to vases and teapots could be decorated with a consistent theme.
Initially, Charles John Noke was a gifted ceramic designer at the Royal Worcester factory and only later became the senior designer and modeller for Royal Doulton from Born in Worcester in , only a short distance from the cathedral and the Royal Worcester works, Charles was the son of a well respected antique dealer. From the earliest age he showed a great interest in the contents of his fathers shop and particularly his private collection of antique vases and figures from most of the major English and European porcelain factories.
He would stand and watch the artists and potters at work, asking a quiet question here and there, slowly absorbing the atmosphere and activity of the great porcelain works. Wandering freely throughout the Binns factory and would end most of his visits at the modelling room of James Hadley. James Hadley was a critically acclaimed modeller He had shown his work at international exhibitions in London and Vienna and was already known to Charles from social visits with his father.
Hadley eventually allowed Charles Noke to take home some modelling clay and was surprised when he returned with models of an elephant and a court jester that demonstrated a good understanding of form and loads of promise.
A high-backed settle — sometimes with storage space beneath the seat or a cupboard in the back — was a familiar sight on either side of the hearth in farmhouse kitchens and inns from the 16th to 19th centuries. A settle table is a wooden settle with a hinged back that folds over to rest on the arms and form a table. Soft-paste porcelain was manufactured exclusively from c until the discovery of local china clay deposits enabled true porcelain to be produced from Louis XV granted the factory a monopoly to produce porcelain in the meissen style, c , and even after this was relaxed, no other French company was allowed to produce porcelain with coloured ground or gilding.
It was not in common use until the mid- 19thC and was made until modern times when periscopic types were used on aircraft. In 16thC sgraffito ware from the Bologna area of Italy, for example, designs were incised in the white slip coating to reveal a red clay ground.
There is a lot of Royal Doulton right here in artifacts, and all over the web. Anyways I have my doubts with marks dating. The thing is antiques-marks says the mark of my figurine range between but seawaychina dates it from Royal doulton lustre -flambe vase.
This item has been sold Sold by: The glazes on this vase are particularly vibrant with mottled yellows and moss green veins. This vase is in excellent condition with only a few light age related scratches which are minor but mentioned for accuracy. Flambe glazes, termed “sang-de-boeuf” ox blood were in use by the Chinese from the 11th century, and the effect was achieved by using copper oxide as a colouring agent and firing the object in a reducing atmosphere.
European potters were not able to master the technique until the early 20th century. The Royal Doulton company employed the potter Bernard Moore, who had been experimenting with flambe glazes for many years, as a consultant. In the company was able to produce its first flambe wares, and they were exhibited at the St. Louis World’s Fair in that year. As well as vases and bowls, around Doulton commenced Over 2, different animal figures were produced over the years. In Doulton under designer and artist Charles Noke, introduced “Sung” wares, which used a flambe glaze together with painted and gilt decoration.
Various sized vases and bowls were painted with fish, birds or pixies over a background streaked with blue , yellow and green.
Collectors & General Auction
Collecting Moorcroft Pottery in Your guide to antique pottery marks, porcelain marks and china marks Collecting Moorcroft Pottery in In collecting Moorcroft Pottery remains enormously popular with salerooms seeing quite a broad range of buyers still bidding at auction. Auction prices do fluctuate, with Moorcroft powder blue pieces selling for as little as twenty pounds, but prices can easily climb to five-figure sums for the largest pieces from the early William Moorcroft Florian range.
The later Walter Moorcroft designs can attract considerably less interest but still sell well. While more recent designs have been widely collected, some of the modern limited edition pieces and particularly those featuring Sally Tuffin designs do bring substantial sums. The early Walter and particularly the William Moorcroft signed pieces are the most sought after. Pieces in less than perfect condition usually receive more muted responses unless they are very rare.
I inherited a Royal Doulton figurine dating from the 30s. It is numbered HN and is a very pretty lady in pink and green dress with a green headband which passes under her chin and has ribbons on .
Doulton then found employment as a thrower at a small pottery in Vauxhall Walk, owned, following the death of her husband, by a Mrs Martha Jones. In Mrs Jones retired, the partnership was dissolved and Doulton and Watts continued the business on their own account. The dissolution of the partnership and the start of he Doulton business is recorded in the London Gazette for 4th February John Doulton Jnr b. In Henry Doulton established a separate business to manufacture sanitary ware and earthenware pipes.
John Doulton Jnr also started an independent business in , establishing a pipe-making factory at St Helens in Lancashire to supply pipes to Liverpool and the north-west. At the end of John Watts retired, triggering the liquidation of his partnership with John Doulton. The contributions of the respective liquidated businesses were: Hutchinson of London
Art Pottery & Fine Porcelain
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Antique Terms (S)
Urinal detail at Williamson Tunnels. London – Reliance ; Burslem – Hanley Helens, Paisley  The Doulton Company produced tableware and collectables, with a history dating back to Operating originally in London, its reputation developed when it moved to The Potteries, where it was a relative latecomer compared with other leading names such as Spode , Wedgwood and Mintons.
Today, its products include dinnerware, giftware, cookware, porcelain, glassware, collectables, jewellery, linens, curtains, and lighting, among other items. Together, the three brands make up Doulton Home, which is now part of the Waterford Wedgwood group.
Virtually all Doulton tableware has a black printed Royal Doulton ‘mark’ or ‘backstamp’ applied to the underside of the ware. The mark was varied from time to time and the table below includes the major marks that appear on tableware manufactured at Doulton’s Niles St, Burslem, factory (the Burslem ‘Series Ware and the Lambeth-manufactured stonewares often have special marks).
April 4, by Chanel Stone The Royal Doulton company first began in London during and has since become a global brand that produces some of the most well known and loved porcelain, dinnerware and collectable pieces. Throughout the ages there have been a variety of different stamps used to mark authentic Royal Doulton ornaments and tableware. In saying this, almost all Royal Doulton items will have either a back stamp or marking that can be found on the bottom of the item beneath the final glaze.
Their speciality at this time was salt glazed stoneware. The company had increased in popularity and to meet this demand the two men moved the company to a larger factory. In when John Doulton passed away his son, Henry took complete control of the company. By , the Doulton company had risen drastically in popularity and was now becoming well known to the British Royal Family. The majority of the ornaments and dinnerware are now made in Indonesia. Due to the shift in quality of the Royal Doulton company, older pieces can often be worth a small fortune.
Later backstamps from have definite logos and wording which can be found below. These impressed markings would read: